25th anniversary of the destruction of The Garden of Eden

ADAM PURPLE AND THE GARDEN OF EDEN
PHOTOGRAPHS BY HARVEY WANG

FusionArts Museum (Gallery B)
February 2-20, 2011
Wednesday, Thursday and Sunday: 12-6 pm
Friday and Saturday: By appointment only
Opening Reception: Thursday, February 3 from 6-9 pm
57 Stanton Street, New York, NY 10002


NEW YORK, JANUARY 4, 2011 – January 8, 2011 marks the 25th anniversary of the destruction of The Garden of Eden, an earthwork created by Adam Purple that once spanned five city lots on Manhattan’s Lower East Side.  This selection of Harvey Wang’s photographs, for the most part unpublished and on display for the first time, documents the expansion of the Garden from 1978 to 1985.  Rare prints of a few of Adam’s 1975-76 negatives will also be shown.

In 1975, Adam Purple set out to plant a garden behind his tenement building at a time when the Lower East Side was a crime-ridden wasteland.  It was a massive undertaking – the site had been buried in rubble from the demolition of two other tenements. While clearing nearly 5,000 cubic feet of debris using only simple tools and raw muscle power, Adam began to create his own topsoil from materials he found at the site and around the city. In addition to traditional composting, Adam made the seven-mile round trip to Central Park on his bicycle almost every day to bring carriage-horse manure back to the Garden, carrying about 60 pounds on each trip.

His circular design had mathematical and metaphysical meaning: The Garden of Eden grew exponentially with the addition of each new ring of plant beds, and at its center was a double Yin-Yang symbol. By 1986, his world famous eARThWORK had grown to 15,000 square feet. Among the many crops and flowers were 100 rose bushes and 45 fruit and nut trees.

Adam “zenvisioned” the Garden expanding until it replaced the skyscrapers of New York. For Adam Purple—social activist, philosopher, and urban gardener/revolutionary—the Garden was the medium of his political and artistic expression. When the Garden was slated for demolition to make way for a federally funded housing project, many prominent New Yorkers wrote letters and delivered statements of support for Adam and the Garden.  Alternative designs that would have spared the Garden or incorporated it into the new structure were displayed in the 1984 exhibition “Adam’s House in Paradise” at the Storefront for Art and Architecture in SoHo.  Nevertheless, The Garden of Eden was razed on January 8, 1986, and the new housing project did not include an apartment for Adam or space for a new garden.

In terms of his revolutionary ideas about sustainability and living as humble members of the natural world, Adam was ahead of his time. He has not yet been properly recognized as an important environmental artist.  It has been 25 years since The Garden of Eden was destroyed, and this exhibition aims to ensure that Adam Purple and his unique, site-specific artwork are not forgotten.

FOR MORE INFORMATION
To hear an interview with Adam conducted by Amy Brost for the StoryCorps Oral History Project, visit http://www.harveywang.com/podcast.html or download the podcast from iTunes.  For the interview transcript, contact Harvey Wang at (212) 777-5918 or hw@harveywang.com.  A slide show of selected photographs along with audio excerpts from the StoryCorps interview is on YouTube:
http://www.youtube.com/watch?v=-VfBvdzgQxY

TO HELP SUPPORT THE EXHIBITION, VISIT KICKSTARTER.COM BEFORE FEBRUARY 2.  Search for Adam Purple on the site or go to:
http://kck.st/ejHJg6

ABOUT HARVEY WANG

In the 1970’s and ’80’s, Wang was a resident of Chinatown and the Lower East Side, an admirer of Adam Purple, and one of several photographers and journalists to visit The Garden of Eden periodically to document its expansion.  His photography career has spanned more than 30 years.  Wang’s books include the critically acclaimed "Flophouse: Life on the Bowery" and "Harvey Wang’s New York." His photographs have been exhibited in museums and galleries across the country, including the Museum of the City of New York, the Smithsonian in Washington, D.C., and the New-York Historical Society.  In addition to his work as a photographer, Harvey Wang is a commercial director and a filmmaker.  His short films, ranging in style and approach from documentary to experimental, have been seen in festivals all over the world. His film "Milton Rogovin: The Forgotten Ones" won the prize for Best Documentary Short at the 2003 Tribeca Film Festival, and "Triptych" was chosen as Best Experimental Film at the 2004 Rhode Island International Film Festival.  He recently directed his first feature film, "The Last New Yorker," which had its theatrical release in 2010.
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www.harveywang.com